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mara06's picture
2549 pencils

What is 2012 design going to look like?

I'm often criticized over in Critique for carrying a 1980s or 1990s banner in my design, which is probably a valid observation, given that I recently celebrated my 64th birthday. This begs the question, "What is going to alert our clients to the possibility that their designer is hopelessly out of touch with the times?"

What's cool now? (Yes, some of us still say "cool" in routine conversation. Sorry about that!) What is already fossilized? What's on the verge of becoming a cliché to be avoided at all cost?

You start. :)

Mara

Commenting on this Forum topic is closed.

Art D. Rector's picture
2770 pencils

My clients are still demanding fax numbers in their ads - so I doubt anything would alert them if I were hopelessly out of touch.

gwells's picture
1711 pencils

one of the best ways to avoid being "dated" is to not be "hip" in the first place. classic stuff almost always works and rarely goes out of style (and if it does, it's not gone for very long). so if you never do the "in" thing, you'll rarely do the "out" thing.

;)

caoimghgin's picture
845 pencils

Trends are good. Even the best of logos will require an update someday. Eventually. And those successfully updated marks will generally give a nod to the previous incarnation.

Let's say I'm buying a new suit for myself. Sure, I might know what I like but since I'm 44 years old, I may not know what is in fashion today. What to do?

Look at what the younger generation is doing.

I'll probably figure out a Miami Vice salmon colored suit isn't very fashionable today. I may discover other details such as a 3 button blazer is a more modern look than a 4 button blazer. The length of sleeve needs to be a half inch longer than I'm used to.

So, you'll want to look at designs by younger folks. Award winning stuff. The stuff that makes you go "ohhhh!". Keep abreast of whats going on in the design world. Then, take a second look at all of your art history and things you already know and find ways to mix it together to make it your own look.

Without my sense of direction, I don't know where I'd be.

gwells's picture
1711 pencils

on some level i don't disagree with you, cao. but on other levels, i think you can minimize your investment in trends and still stay relevant.

to keep in your fashion example (and to stay personal and anecdotal, since i'm talking about myself), i've always worn wayfarers. they look good on my face and fit me well. they're not always "trending," but they're never completely out of fashion because they're classic. they are sometimes more in than out, but rarely just out. whereas some trends will look out of place when the trend fades.

the same holds true for suits. there are some classic jacket styles that have looked good for a long time will continue to look good as the trendy stuff swings back and forth around it. i would very much consider a 4 button jacket to be trendy and would not buy a $500 4 button suit jacket because i want to still be able to wear it 4-5 years from now (i don't go through suits that fast) and look like i'm wearing severely out-of-date fashion.

there are trends that hit in the graphic design world that will date your work very quickly. that whole "web2.0" stuff is already becoming passe, to an extent.

but i do agree that you have to look at what's current, what's classic, figure out where you fit in, and carve out that place where you belong. just keep in mind that the closer you are to what's hip/trendy/current, the more you will have to continue to change to keep up (i.e., buying new suits every couple of years). and if that's not really who you are, i think you're safer looking more toward what's classic and timeless and plant yourself in that vicinity.

KellyR's picture
525 pencils

Design work shouldn't necessarily be limited to current trends (or avoiding them).

I think a good design takes into account the unique selling benefit of the client and speaks to the client's demographics. If that demographic needs a retro look, then retro design is what should be applied. If that demographic is cutting-edge and trendy, then cutting-edge and trendy should be considered for the design.

A good designer will know how to evaluate this and know when to apply a certain look to something and when not to.

I don't think it's as simple as "don't use neon pink paint splashes in your design." Because neon pink paint splashes just may speak clearly to a specific targeted audience.

mara06's picture
2549 pencils

Great thoughts -- good topic ;)

I wonder what really young designers presently consider to be "classic." Is there a definition of that for every generation? Keep in mind that these days, generations can be separated by only 5 years or so. I'm recalling some nameless Valley Girl du Jour whose signature put-down was that it was "so five minutes ago."

Mara

caoimghgin's picture
845 pencils

Classic is classic. Salmon colored suits? Not so classic.

Sure, there is common thread of 'classic' that resonates no matter the age. Truth is, you have to discover 'classic' yourself by looking at the new and the old and synthesizing it all over again. If your lucky, it becomes 'cool' and 'cool' (if it's lucky) becomes 'classic'.

Still, even if I could define 'classic' (and I doubt I could) I would never be able to communicate it in a way that could be understood -- much in the same way I couldn't define 'God' or 'love of anchovies' or 'Lifetime for women specials' in a globally understandable way.

Kill it all. Rip it all apart. Sew some parts back together. Shoot a few gigawattes of electricity through it's lifeless body...

And when that wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favorite head up against the wall, and he looks you crooked in the eye and he asks you if ya paid your dues, well you just stare that big sucker right back in the eye, and you remember what ol' Kevin always says at a time like that: "Have ya paid your dues, Kev?"

"Yessir, the check is in the mail."

Without my sense of direction, I don't know where I'd be.

Art D. Rector's picture
2770 pencils

Dude - I live in South Florida and let me tell you - salmon colored suits still rock the house. Sea foam is a show stopper too.

mrcoupon's picture
349 pencils

All your designs I've seen on here so far have a few things in common - boxy polygonal linework, thin Avant Garde-style fonts, and lots of teal & yellow. That's how you get the 80's reputation.

There's all sorts of tutorials online about "How To Create Cool Shiny Effect X in Illustrator". Read and try as many of those as possible. While the results of some may be cheesy, learning new techniques and tools & branching out into new software always helps make you more versatile.

mara06's picture
2549 pencils

Interesting observation. Most of my work definitely does NOT fit that description. I just don't bother posting it because it's work I feel comfortable with, while stuff I post here is something that's driving me nuts and I need feedback. Nevertheless, I totally need to experiment more, ramp it up (or down or whatever). All designers do.

Maybe we can accept that after time, we all develop a "look" or approach that almost brands us; we fill a niche that certain kinds of clients that we enjoy working with will find attractive, because they like what we like. In a large, active design market, in which there are plenty of clients to keep plenty of designers profitable, that's great. On the other hand, that can smother our creativity.

I guess the trick is to keep those core clients with whom we click -- their easy to please and we count on them to pay the bills -- while expanding our knowledge of other approaches and techniques to attract the rest of the clients we need to do more than just pay our bills. Boy, I sure do miss opportunities to see (and feel) the work of other designers such as events I used to frequent when I was city-based. That was so energizing. Maybe my New Year's resolutions should include carving out a few days every now and then to get into the city for that experience, hit the art galleries and so on. Just browsing online and collecting books isn't enough by a long shot.

Mara

Art D. Rector's picture
2770 pencils

What put you on this new kick, Mara? Personal business cards aside (cuz we all know how that goes ;) - I like your work. Maybe that makes me out of fashion - but who cares? We're privileged to be artists in the first place - if we're making a living at it - that's gravy. Personally, I'm not concerned with what the upstarts think about my work - I'm concerned with what my clients think of my work.

mara06's picture
2549 pencils

Art D -- thanks! :) The new kick probably comes from re-doing my website, which has needed updating for a long time. I wouldn't have bitten that bullet if it hadn't been for the insights gained here. Periodic reality checks are healthy.

You are so right about what a privilege it is to "do art for a living." Count your blessings -- or hire some PC grunt to count them for you while you hop on the train to check out the new exhibit at the Met and do brunch with an artsy friend. It's tax-deductible, after all.

ps: I'd love to have a look at your portfolio. Care to share a website?

Mara

Art D. Rector's picture
2770 pencils

I would LOVE to share a website - unfortunately I don't have one. :) Yes, I know - crazy, isn't it? Don't have a business card, don't have a website, don't do any self promotion... I have a domain name assigned and ready to go (3 or 4 years now) - just haven't gotten around to creating a website. Also haven't looked at my book for 4 or 5 years now - I'm not chasing clients so it's hard to get motivated to put those together when there's plenty of work. OTOH - I do run into potential clients on occasion anyway. So it's kind of embarrassing when that happens and I look like an amateur for not having anything to show them. I really should motivate.

mara06's picture
2549 pencils

LOL I think most designers are honestly in the same situation. If they're any good, they don't have time for self-promotion -- and like you, they don't really need it.

Still, it feels awfully grown-up to have the basics in place. Just don't ask me to get Faced, or to Twit, or Tumbl or any of that nonsense. I'd rather go swimming!

Mara

thornysarus's picture
926 pencils

Wow... I thought I was the old timer around here.

hehe

Terrell Thornhill

e-zign Design Group

mara06's picture
2549 pencils

Glad to be of service. :) To give myself a bit of a break, though, I'm told I could pass for 50 on a good day. That still makes you a whippersnapper, though, doesn't it?

So what kind of design trends to you see coming down the road in your neck of the woods? Or are you still making it up as you go along? ;)

Mara

thornysarus's picture
926 pencils

What? Making it up as I go along... Now, why didn't I think of that?

:)

Terrell Thornhill

e-zign Design Group

mara06's picture
2549 pencils

LOL

Mara

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